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9005
All-Night Vigil of the Nativity

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All-Night Vigil of the Nativity

ALL-NIGHT VIGIL FOR THE NATIVITY

Konevets Quartet Archpriest: Michael Fortounatto

The year 2000 marks the two thousand years of the Birth of the Son of God. The present disc is dedicated to this momentous event, particularly through the inclusion of a number of items of festal hymnography from the liturgy of the day. Here, throughout the various sections of the service, the Gospel story, the fulfilment of Old Testament prophecies, the church's view of man's salvation - all are amply reflected and given their musical interpretation. A liturgical shape is given to the disc in the person of the celebrating priest who articulates the prayers of the Vigil.
In the musical domain, in their choice of settings, the four singers of the Konevets Quartet give an understanding of the living tradition of the Russian Church, namely, of its two current strands. The first, conservative strand encompasses the chant, often very simple in melodic shape, with its history going back to the 17th century and beyond, and more
N TRACK NAME LENGTH
1 Troparion of the feast 1'22
2 Kontakion of the feast 1'26
3 Stikhera at the Lity 1'18
4 Lily Prayers 5'30
5 Apostikha Stikhera 0'43
6 Nunc Dimittis and Trisagion prayers 3'07
7 Troparion of the Feast and Conclusion of Great Compline 3'48
8 Introductory verses to the reading of the Six psalms at the begining of Matins 1'57
9 The Litany of peace 3'32
10 The Lord is God and Troparion of the Feast 1'49
11 Polieley Valaam chant 1'54
12 Megalinarion Traditional 0'58
13 Small Litany and Prokeimenon (Gradual) 1'53
14 Let everything that hath breath, praise the Lord and the Reading from the Holy Gospel 3'52
15 Verses after the Gospel Aleksandr Archangelskii 2'28
16 Selected irmoi and troparia from the canon
Aleksandr Archangelsttii
7'02
17 Exapostilarion 0'51
18 Lauds 0'37
19 Stikhera at Lauds 1'07
20 Great Doxology Mikhail Ippolitov-lvanov 6'25
21 Final Litany and Dismissal 4'33
recently harmonised for part-singing (No. 3, 8, 11, 12, 16 and 19). The second strand is a hundred years old (having survived the "lean years" of Soviet repression against the Church), and has been termed "the Moscow school of church singing" (No. 1,2,5,6,7,10,13,15 and 20). Its main character is seen in a double movement of return to the ancient native sources of the Znamenny chant and, at the same time, of a modem attempt at discovering a truly Russian manner of polyphonic treatment of the ancient material.

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